Pages

Monday, September 16, 2013

Balance and Composure - "The Things We Think We're Missing" Album Review

One of the saddest moments of album reviewing is having to compare two albums or multiple albums by such a brilliant band. The old and the new are rarely the same; sometimes it will disappoint and sometimes it will be exactly what you're hoping for. Separation was and probably always will be a favorite album in not only my mind, but many fans of the alternative/post-hardcore genre (or whichever genre a person may feel fits the band best). With songs that I'm likely never to forget on Separation, the anticipation for the new release by Balance & Composure was at an all time high. There's a strong likelihood that many had no clue how the band would be able to follow-up such a masterpiece.

But they did. The Things We Think We're Missing has such a captivating, emotional pull to it, you could think it was planned as a continuation of Separation. The recording quality on this album sounds really stellar, and definitely a step up from the past. Heartfelt lyrics sung with such desperation, you can't help but getting sucked in emotionally.

Although each track is different, the album comes across almost like a story, each different song a chapter that all ties together smoothly. Starting off with a bang, the first song "Parachutes" quickly became a favorite, with its first lyrics, "My vacant heart, how is it that you split in two parts? I'm checking in to reminisce, a roller coaster in the dark to places I don't want to go." A great description of how B&C songs can make one feel  - like you're on a roller coaster.

From the very beginning, you will be able to tell you're in for an incredibly bumpy, but beautiful ride. As always, Balance & Composure brings long-time listeners to an emotional place that not many bands can. Although  not quite as devastating as previous songs, the tracks on this album definitely make you feel similar things.

"Back of Your Head" instantly became another favorite, with its hard-hitting, melancholy lyrics and softer vocals. The way that they can deliver such an emotional message in such a strong, but calm manner really throws me for a loop sometimes and leaves me shaken and impressed.

"Notice Me" really hit home, with true B&C style vocals that make you feel like they're crawling up the walls in desperation to be understood and to save you from feeling the same way. "And I can see the evil games you love to play. Don't give a shit, take all of me. Left me in the open, cut me deep, cut  me right."

The worst thing about listening to this album was trying to choose favorites to include in the album review. "Cut Me Open", "When I Come Undone" , "I'm Swimming" , and "Keepsake" should also be mentioned as tracks you've got to listen to if you want to get an idea of the album's well-rounded sound, if for some reason you haven't yet committed to listening to the whole thing.

All in all, being able to make life's hardest moments easier has become the biggest thing that this album has in common with Separation and what the band seems to be best at. They obviously understand what you've gone through, because they've experienced it too, and they want so desperately to ease the hard blows that come with life.

If you're unfamiliar with the band,  RIYL: Brand New, Polar Bear Club, and Joyce Manor.

Wednesday, September 4, 2013

Interview with Norma Jean

Norma Jean is one of those bands that so many people recognize their name, regardless of whether they've listened to them or not. Old fans, new fans, and strangers alike take interest because of their name or their reputation in the industry. I was lucky enough to have some time with Cory Brandan (lead vocalist) who gave me some really in-depth answers to my questions. He also has quite the sense of humor, which hopefully readers will appreciate.

***

"Wrongdoers" seems to almost return to the roots of Norma Jean stylistically, while at the same time, staying true to present day NJ, was there a change in approach when it came to writing this album, as opposed to previous albums?

Not really. If anything we just took a few steps back and looked at what we’ve done and tried to get away from it. I think that decision to make a mental and emotional separation from our past helped us to focus more.

Tell me about your inspiration for this album as opposed to your previous albums. Did your approach to writing it change? If so, in what regard? Since it sounds like you really refound yourselves and brought your A-game, many are curious as to what went into that.

In short (very short) We started writing this record feeling like Meridional was still lingering. We went into writing with that in mind. In a way we were kind of thinking “how can we beat that record?” We had a pretty stressful 5 or so months of writing. We did a Europe/Russia tour and when we came back we lost a couple of members which didn’t help. After a short mourning period, we embraced it! We had to. It was that or be done. We transformed into more a collective rather than a band. We made sure we found the right guys and they brought a great new energy. Got away from Meridional and wrote Wrongdoers. I think all of that struggle without mentioning everything had a huge part on the inspiration of this record. We wanted to make something that proved that we still love this and will continue to put out music that matters.

On the subject of writing, what's your process in general? Who focuses on what parts of the process?

I think the process changes every record. It usually take a little bit to figure out what we’re doing. But eventually it all clicks. We usually all write separately and bring it all together throughout several practice sessions. This time we found we were writing a lot of the music on the spot based on how we felt that day or in that moment. Jeff and I wrote all the lyrics together. Along with a little help from our previous guitarist Scottie Henry.

What are your favorite songs to play? And which are the most meaningful?

Right now my personal favorite is Hive Minds. Of our old stuff, I’ve always had a special place for A Small Spark vs A Great Forest. It’s such a fun song to perform as well.

What has it been like and how has it affected your transitioning over the years with lineup changes?

It’s never easy losing a member. I’m not going to pretend like it is. Especially when you play with someone for 10 plus years, you build a chemistry with them. That’s not easy to replace. On the other hand, bringing in new blood has brought a new energy that I truly feel like Norma Jean needed. We wouldn’t have Wrongdoers without any of them, though.

Seeing as many of your contemporaries (Underoath, for example) are no longer active, does that inspire you to keep working hard to "stay alive" as a band?

In a way yes, but it hasn’t been a factor in why we do what we do. We love music and want to continue to write and play. It’s really that simple. We have a lot of fun doing it and as long as that door is open, I’m going through it every time.

Speaking of that, what is your drive to keep making music? Do you feel there's still lots to be done that you haven't done yet?

I decided a long time ago that I had already achieved everything I wanted as a musician and more. Knowing that, it’s made everything else icing on the cake. On that note, there is so much more we want to do now.

I imagine you may get this question a lot, but...Do you hate being compared to Botch?

Haha no!! I remember the first time I ever heard that I thought. “Dang! Thanks! We love that band!” Heck, we even recorded O’God with Matt Bayles, but in reality we are much more influenced by other artists. What people need to remember is that we are from the same era of music. Go listen to Deadguy, Coalesce, Will Haven, Angelhair, Honeywell etc.... That’s what we came from and I think it still shows in remnants. That’s ok with us.

How did it feel to be nominated for a Grammy for your O'God the Aftermath album artwork?

It was cool. Something I could tell my mom and she could be impressed a little bit.

If you could collaborate with one band or artist, or bring someone on for a track, who would it be?

Definitely Sean and Jes from Coalesce.

What do you think the future holds for you? 

We have so many ideas and things we want to do. We hope Wrongdoers will get us some good support tours. If not, we’ll be out there by ourselves playing anyway.

And finally, what do you think of the current metalcore music scene and the bands around you?

I feel like that question is starting to sound like “what do you think of the little kids who run on your lawn?” haha. I’m an old school dude. I don’t like a lot of it, but I have nothing bad to say about it. There’s definitely some cool stuff out there and we’ve been able to tour with some of those bands. It grows on you on tour. I like that I can like something new still without blowing it off. I don’t want to be that bitter old man yelling “get off my lawn!!”