Manchester Orchestra & Balance & Composure & Kevin Devine and the Goddamn Band - House of Blues - 5/3/2014

The only thing that can top seeing one of your favorite bands (Manchester Orchestra) in concert, after almost ten years of listening to them on record, is seeing them play with another one of your favorite bands especially one you've been following since they started - a proud moment. 

Balance and Composure has been playing smaller venues than they're worth for years. Their star quality has been obvious for a long time, and it only took the world catching up with the times to realize it. When Manchester Orchestra announced they'd be taking the two on tour with them, it was a very exciting moment for all involved. Their show at the House of Blues in Hollywood sold out almost instantly, to no one's surprise. The line I encountered upon arrival to the House of Blues was the first sign of just how popular these three bands are. I've never stood in such a long line to get into a show before, and it was great to see the excitement fill the venue as everyone was let in. The only thing better than a concert where you know all the words to most of the songs, is a show where the whole crowd is singing along with such emotion and passion, it becomes an entirely different type of experience.

Kevin Devine and the Goddamn Band is a hidden gem of a band, because while they may be somewhat unknown for the time being, their fame is coming up rapidly. They were the perfect band to open for this tour, starting with high energy music that got everyone excited for the night of beautiful sounds to come. A surprising amount of people knew them and were able to sing along, but I guess in LA that's not that unusual.

Balance and Composure was on next, and sadly, singer Jon Simmons was quite sick. He alerted the crowd of this pretty early on, but it was already easy to detect, for someone like myself who has seen them play multiple times. Despite his apologies for his voice not being up to par, his vocal performance was barely affected. The band definitely picked up any slack due to his illness, making for an incredible set. They played a mixture of songs from all of their albums, pleasing all fans, new and old. It's a difficult venture to play a show soon after a new album has been released, but I didn't hear any complaints or shouting from the crowd. I was surprised, however, at the lack of stage diving, crowd surfing, and moshing attempts that I normally see at their shows at smaller venues.

Manchester Orchestra didn't disappoint in the two claims I'd heard about their live performances: great sound... and LOUD sound. It was one of the only times I've ever worn earplugs in my show-going life, and I was glad to have them. It was a pleasure to be able to hear an array of songs from all of their albums, being that they just released their newest album, Cope, and nobody really knew what to expect in terms of a setlist. I was impressed by the amount of people who were even able to sing along with the newest songs and how rowdy they got during such an emotional time.

By the end of their set, as though anything could make such an evening better, the band brought up Matt Sharp from Weezer to perform a couple of songs with them, which made the entire crowd into an even louder, cheering mob. You could definitely tell it was a surprise because of the volume of the screams.

Photo by Up Late Reviews

Photo by Up Late Reviews

Photo by Up Late Reviews

Photo by Up Late Reviews

Photo by Up Late Reviews

Photo by Up Late Reviews

Say Say @ Bardot Hollywood 2/24/14

Photo by ULR

I haven't been to that many shows since the new year and returning back to the US from Israel last month. I have all sorts of excuses, but all that matters is I'm getting back out there, and I can't explain how happy I am that seeing my buds in Say Say was one of my first shows of the year. It's easy to say that seeing friends play makes you biased, but these guys are genuinely so talented.

Photo by ULR

Singer Adam Reiter has a way of capturing a raw passion in his live performance that is rare to see on a stage. There's something about the way he sings that carries so much emotion and depth to it. Paired with well written lyrics, a talented drummer (Nick Jordan) and singer/keyboardist Jesse Gurtis, it's a captivating combination.

Live music usually has one of two effects on people. Either it acts as background to a scene, like in a bar or festival, where people aren't paying much attention, have their cellphones out, are chatting and barely notice that someone's playing a show, or it silences a crowd. And the latter is what Say Say did to Bardot on this special night.

I've personally become obsessed with their music, whether it be their live shows or listening to the recorded tracks and reminiscing about how great their live performance is. It's truly an experience you have to have in order to understand. This band is definitely going somewhere huge.

Photo by ULR

Red Jumpsuit Apparatus & The Material @ The Roxy Theater

Show reviews are much like album reviews in the struggle that involves morphing a beautiful live experience into the proper words. I started listening to The Red Jumpsuit Apparatus when I was probably 10 years old and they were part of my regularly listened to playlist over my early teenage years. Their first album Don't You Fake It, was a popular one that I couldn't stop listening to and sharing with everyone.

Not having seen them live for years, I was really excited when I found out my buddies in The Material were going to be on a leg of their tour! Stepping into The Roxy near the beginning of the night, I was so excited to see how many people were there. Not just for the main act, but in support of local music and for The Material, who over the years have gotten themselves quite the following as well.


The Material took the stage, and I glanced around to see how many fans pushed their way to the front, as well as how full the venue was. Often when you go to see a show, many people are standing outside or haven't even arrived until the headliner takes the stage. If you didn't know better, you'd have thought The Material was headlining the show. As vocalist Colleen started to belt out her strong, mesmerizing vocals, the crowd sang and clapped along with songs they were clearly familiar with. Something that's always caught my attention with their music is not only the quality of the vocals, but the power behind them. Impressive is the length at which she sings without taking a breath. Add to the mix two skilled guitarists and a kick-ass bassist, a drummer who seems he could go on for hours, and you've got yourself a band that's a real team. Safe to say besides being able to draw a crowd and put on a great show, The Material has truly grown into themselves and has so much to offer in terms of a real live experience.


When Red Jumpsuit took the stage, it was apparent that many didn't quite know what to expect. If you're like most modern Americans, you listen to so many different genres and bands, which means it's hard to keep up with every band. Many, like myself, are most familiar with RJA's first album, despite having listened to their newer albums over the years. Ronnie, after so many years in the band, still almost has a shyness about the way he performs, which seems to endear fans to him even more. Playing a mixture of songs from the beginning straight through to their latest album, the band made it clear why they're still around after so many years. With solid harmonies and passionate vocals, the guys still love what they're doing for the sake of the music.

Of course, it wouldn't be a Red Jumpsuit show without two of their most famous songs, "Your Guardian Angel" and the last song, their most popular, "Face Down." Any fan who wasn't singing for the entirety of the set was definitely singing and moving for the last few minutes of the show.

THE MATERIAL
(All live show photos shot by Molly Calvo)





RED JUMPSUIT APPARATUS