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Showing posts with label music review. Show all posts
Showing posts with label music review. Show all posts

Thursday, March 9, 2017

Acceptance - Colliding By Design


Album Review - Acceptance - Colliding By Design


Have you ever had a friend or colleague tell you that a band released music and you sort of let the information filter slowly into the back of your head without any emotion? Maybe you even feigned excitement as you really imagined what you'd be eating later for dinner while you watched Netflix alone in the dark? 

That's the exact opposite of how I felt when Acceptance announced the release of their newest album, Colliding By Design. Considering how many years it's been since they'd released something, I had long given up holding my breath. 

I didn't know what to expect beyond that they were way overdue on delivering on a promise. When I was first reminded that the album was released, I didn't rush to listen. Played it cool, gave it a few days. 

When I finally did give it a first listen through, I was beating myself up for waiting. That day alone, I had listened through at least a dozen times. 

Not only was it good, but it was good. I mean, this album was quickly becoming AOTY for me and suffice to say one of my personal favorites. 

Acceptance outdid themselves. It would have been easy for them to just bank on the fact that longtime fans were at the edge of their seats waiting for a release. They could have been lazy and thrown something together that passed as an album. 

Instead, what was delivered was a neatly wrapped package of musical gold. Each song told a part of a larger story, and at the end of each track you'd likely find yourself at the edge of your seat waiting for the next chapter. 

Each song is hand selected and flows together with such a smooth, harmonious quality that left me wanting more. There's no skipping tracks here, only sitting back for the full 47 minutes. 

It was an emotional ride that left me feeling tightly wrapped in a warm blanket with only Acceptance to thank. 

Thursday, January 7, 2016

Dear Boy Releases Single "Local Roses"

Dear Boy started out strong when they came together back in 2013. I have been following this up and coming group since, and they have done nothing but impress me every step of the way. Every live performance and song they've released since have been a roaring success, and for good reason. These talented men are passionate about music and it shows in their songs. They don't make the type of music they think will sell millions, they make the type of music that you can feel in your bones. This new release is no different.

If "Local Roses" is a sign of what's to come (and c'mon, we all know it is!), I can't wait to hear the entire album they've been working on.

If you'd like to check out their single, I've linked and included their SoundCloud below. You can also find their contact information if you'd like to find out more about the band. If you happen to live in Los Angeles, join me this coming Tuesday, January 12th to see them live at the Echo. They are headlining!



Youtube: http://www.youtube.com/dearboyofficial

Instagram: http://www.instagram.com/dearboyofficial

Twitter: http://www.twitter.com/dearboyofficial

Website: http://www.dearboyofficial.com/

Friday, May 31, 2013

Rebel Revive - XI (Eleven) Album Review

It's often really strange when your musician friends (or acquaintances) ask you to review their album or ask if you want to interview them, because when you have a lot of friends who are pursuing careers in music, they all have their different styles. And I do mean that, it's not code for anything. They all have different sounds and levels of experience and talent. My favorite thing is when a musician or band (friend or not) gives you the chance to listen to their music with no pressure, and if you're into it, to write something about it. That way it comes from the heart! Anyway, that's what happened this time and I'm really happy to be able to write something genuine about this album.

***
XI is an album in which you can hear the passion Matthew Lindblad (yep, another one man band!) has for his music. Something I value, and I think many others do too, is meaningful lyrics and sounds that grab your soul and drag you in. It's very rare that I like every track on an album and have little to no complaints, but that's the magic that was just produced in this 6-track masterpiece. 

Ambient rock with just enough tasteful aggressive vocals (don't get this confused with "screamo") placed discreetly just where it belongs, it seems that these tracks could be just about anyone's jam. Matt's sweet side is easily visible within the lyrics of these songs, making it obvious how much he cares about the music and what he's written, as does the letter included in the album, which made even me feel emotional! 

Although each track has its own sound, the album flows so easily that when it ends, it's almost as though all of the songs are each a part of one long, beautiful song. From the first time I listened to it, I couldn't stop. I soon had the whole album on repeat, and each time it ended, I felt like it was too soon! I definitely couldn't pick an absolute favorite out of the six songs, but I'll tell you that none of them were my least favorite either! 

It's hard to compare such beautiful, standalone music to other bands' sound, but I might relate it in slight to Cartel and New Found Glory. Matt definitely brings back some worth to the words "one-man band," which seemed to have lost their reputation as a valid form of talent. Produced by Colby Wedgeworth (who has produced albums for Lydia, The Maine, This Century, and others) it's obvious that they make a good team in the studio (and out).

If you don't know much about Matthew, he's been around the music industry for quite a while, in various different projects, including having been one of the guitarists for New Years Day (who I actually just interviewed at the end of March!) and has started this new project more recently. I'm glad he decided to go on his own path, so that he had the full creative decision making to create this gem of a record.

You can find Rebel Revive on Twitter, Facebook, and Instagram!

Here's the promo video below, in case my review didn't get you excited enough about the album.



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Tuesday, April 30, 2013

Valaska's "Natural Habitat" Album Review

I have to preface this post with a short statement. When you're doing music journalism, you get a lot of opportunities to review different albums and shows. Not all of them are quite your style or things you would necessarily listen to or tell your friends excitedly about. So far I've tried to keep my personal website (though I do other work) limited to things I can sincerely talk up, because this isn't to make money or gain recognition for things I don't believe in. Besides getting my style of writing out there, I love helping bands and musicians who I really feel deserve it.

 ***

And on that note, Valaska blew me away. When I first checked out the songs that were available online, before I heard the album, I was pretty impressed. I liked their sound; it was very soft and melodic, and definitely the type of music I often listen to. When I got the album, I started playing it and I couldn't stop. I literally could not stop playing it on repeat, for days. DAYS! I couldn't believe what a gem this album was and that I hadn't heard about this amazing band sooner.

When I found out that it was one guy, I became even more impressed. Multi-talented Dave Valdez definitely gives one-man bands a run for their money on this incredible album that he created with the producing and engineering help of Copeland's Aaron Marsh. I can only imagine the levels his music would rise on a live stage with a full band.

I've recently gone through a couple of hardships and I'm constantly looking for music which helps me get through painful experiences. The actual quality of the songs aside (which is stellar), each one hit home with me. From the first song, On the Surface, which reminds me a little bit of old DCFC and a little bit of City and Colour, to Golden Age, which made me reminisce Yoshimi Battles the Pink Robots by The Flaming Lips. In Voids and Natural Habitat took my heart with their profound lyrics and especially soulful vocals.

Every song had something to offer, and while a couple of them reminded me in part of other bands' music, Valaska has its own sound which is distinct and memorable. This alone stood out to me, after listening to so many bands and artists over the years that blend together in a fairly acceptable, but forgettable manner. I'm always looking for bands that not only have a great sound, but who sound different and aren't afraid to make the music they want to make, and seem to have a passion and love for doing so. I personally think that you can feel that love for music in a musician or band's songs, and that makes the listening experience so enjoyable. While Valaska certainly deserves recognition in the indie world, I would be surprised if it was long before they get signed.
Natural Habitat Cover Art

I smiled, I swooned, and I cried. (YES, music makes me cry, okay?!) I have never fallen in love with a band so quickly. It's safe to say that this is my favorite album of 2013, if not in the past year altogether. So right now I put my reputation on the line (as I do with these reviews) and genuinely tell you that you're missing out if you don't have this album. If you know what's good for you, buy it as soon as you possibly can. Time is ticking. You are losing valuable listening time. Seriously, if I haven't sold you yet, check out the adorable album art. How could you possibly say "no" to that cute face?

If you want to check Valaska out, you can do so on Facebook, their website, Bandcamp, and Twitter.


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Friday, December 7, 2012

Taking Back Sunday, Bayside, and Man Overboard (#TAYF10 Tour) at Club Nokia October 25, 2012)

The scene was a beautiful one: a crazy long line of people all lined up for the Taking Back Sunday #TAYF10 tour! A lot of these people were wearing merch and some of them even had TBS shirts from "back in the day," showing that they had likely been around from when the album was first released. Many Bayside fans also showed up, some excited to see the bands for the first time, while some had been to many shows and had more of a relaxed vibe as they waited in line. I didn't see any Man Overboard shirts, but I know there were many loyal fans out there in the crowd once the band went on later.

Personally, I've seen Taking Back Sunday twice: The Next Big Thing 6 (Tampa Bay 2006) and Warped Tour 2012 (My first Warped Tour this year in Pomona) and Bayside once at the same Warped Tour this past summer. I was beyond excited to get to see them, even though I felt a little nervous about the venue size, crowd, and the VERY small pit that they had given "limited" access to. (Which really meant as many people as they could fit in there without killing someone.)

After waiting in line and getting our pit access, my friend and I squeezed as close to the front as possible and waited for the show to start. There were so many people who were excited for Man Overboard to open. Although I hadn't been as long-term of a fan of them as others in the crowd, it was great to see how much excitement there was for them. Many people knew the lyrics to their music as they started playing, but the crowd didn't go nearly as crazy as I would soon witness. Now, I've been to a LOT of shows. I've been to shows in all sorts of venues with all kinds of music and different crowds and I've been hit in places I had to think about later (how?! why?!) but never have I seen a crowd like the one that night.

Bayside played a solid set to a sea of singing fans who knew the lyrics very well and it almost sounded like a live recording of their album. I was very pleased and glad to be part of a crowd who knew and apparently loved Bayside as much as I do! (A few people, not surprisingly, screamed out their love for, and desire to have the babies of Anthony.) They put on an even better set than the smaller one at Warped Tour, which I had thought was amazing, so that's saying something.

The crowd started pushing some towards the end of Bayside's set and a couple people attempted to crowd surf, which is apparently their way of showing appreciation for the music. Nobody seemed amused. When Taking Back Sunday took the stage, the change was enormous. Not only did everyone start shoving and "moshing" (I put it in quotations because these individuals have clearly never been to a hardcore show and were trying to mosh/circle pit but don't know what they are doing.) but the voices got louder and the excitement was even more clear.

On the upside, a great show was had and they played a great set, comparable with the one I saw at Warped Tour (with a much smaller crowd at Club Nokia) but the downsides were the tight space and people kicking and throwing elbows everywhere (even in the parts of the crowd you usually would be safe in) and one guy who tried to crowd surf to the stage 12 or 13 times in a row and didn't get kicked out. I would put the downsides mostly on the venue/security, because that's not really on the band. But I did get punched in the face so hard I thought my nose was broken, and my glasses were ripped off my face a few times. (Not the first time it's happened... La Dispute...)

All in all, great show.

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Tuesday, October 30, 2012

Metric and Half Moon Run @ The Greek Theater 10/9/12

     On a breezy evening in Los Angeles, California, Half Moon Run took the stage, kicking off the evening and opening up for a much anticipated Metric concert. The Montreal based band got the crowd excited, with songs off of their debut album (2012) Dark Eyes. Three talented guys make the group a strong trio, whose music has been described as both traditional folk and electronic. Whatever genre they may be placed in, they certainly have a unique sound. I had the pleasure of meeting the band briefly during intermission, at which time they shook my hand and although they were already engaged in conversation, they behaved like complete gentleman. For me personally, this added a certain charm to their observed on stage presence and their sound.

     As the seats filled post-intermission, you could clearly hear the buzz and excitement of all the fans of the Canadian born band, Metric. For most of the concert-goers on this Tuesday evening, it would be their first time seeing Metric perform live. That was true for myself, and I was beyond excited to get to see one of my favorite bands play. I wondered how they would handle the set-list, due to the fact that they had just released their newest album, Synthetica. And handle it well, they did! They managed to impress me greatly with a combination of songs from each of their albums, but understandably focusing on their last two: Fantasies being the one previously released three-four years ago.

     As they opened with the first song on Synthetica, "Artificial Nocturne," I was impressed to see and hear that the majority of the fans in the crowd knew the song well enough to sing along. This followed suit with each of the songs throughout the evening that the band played off of their new album. I clearly underestimated Metric's fanbase and their ability to swiftly memorize the lyrics. I was equally impressed with Emily Haine's stage presence and with her versatile voice that I had previously enjoyed for so many years on their albums.

    All in all, Metric's beautiful songs paired with the energy at the Greek Theater and with the beautiful light show, made for an unforgettable concert.

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Monday, September 10, 2012

Back Pocket Memory & Culprit @ Club Moscow (Boardners) 9/5/12

     Picture this: Wednesday night brings Club Moscow to Boardners. Loyal friends, family, and fans come out late on a weeknight to see their favorite local bands. Cut in to two incredible local bands, Culprit and Back Pocket Memory, playing a show that doubles as a West Coast tour kickoff and a birthday show for BPM bassist Rob.

     The crowd both bands brought to the venue was only the first reflection upon the strength of their fan base. The way Back Pocket Memory moved (and excited) the crowd was just as impressive, especially when they played material from their new self-titled EP. Culprit was just as powerful in the way they kept the venue moving and singing along.

    I was especially impressed with hearing Back Pocket Memory's new material, since having heard their single, Prisoner, before they released their EP. It was my first time seeing Culprit live, and I was entirely blown away with how beautiful their songs were live!

     With two strong vocalists, exceptional drummers, impressive guitar and bass, Culprit and Back Pocket Memory seem to be the perfect 2 bands to tour together, and it's just coincidence that they're friends!

     If you are a fan of BPM or Culprit or want to hear more, you're in luck! They're only halfway through their West Coast tour! Check out the tour dates below as well as the links if you're not at any of the cities listed. Additionally, please look out for my interview with Back Pocket Memory coming soon, as well as one in the works with Culprit!


September 10th – Bend, OR @ The Soundgarden
September 11th – Seattle, WA @ El Corazon
September 12th – Portland, OR @ Mt. Tabor Theater (Lounge)
September 13th – Vancouver, WA @ Pop Culture
September 14th – San Lorenzo, CA @ The Annex
September 15th – San Jose, CA @ Homestead Lanes

www.facebook.com/backpocketmemory
www.twitter.com/bckpcktmmry
www.backpocketmemory.tumblr.com
www.backpocketmemory.bandcamp.com

www.whatisculprit.com
www.twitter.com/culprit
http://whatisculprit.tumblr.com

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Thursday, August 2, 2012

Lemonade - Kyle Castellani's New Feature Song & Album

When Kyle asked me if I wanted to hear his new song "Lemonade" a week or two ago, I had to contain myself. Of course I would be thrilled to listen to an unreleased song! I was expecting something along the lines of what I had heard thus far, which has never let me down or disappointed me (including the songs I had heard so far from Lemonade before it was released - at live shows and on his website) but I could never have prepared myself for the flood of emotions I experienced listening to "Lemonade." It would be an understatement to say the song simply "failed to disappoint."

The song moved me so much that it took me a couple of days to actually respond and let him know what I thought of it - and when I did, embarrassingly enough, the words wouldn't stop coming. Kyle is an underrated, amazing musician who will hopefully get the recognition he so deserves. Just by this song alone being a sign of what's to come, I thought, he truly is going places.

Lemonade specifically, is a very soft and emotional song which moved me to tears. (I may be a woman, but I am not a crier.) Tears actually fell out of my eyes.

Kyle expresses himself perfectly through meaningful, deep lyrics and strong, versatile vocals. His range is incredible and I am consistently blown away by his finished products. Having been sent "Lemonade" for a preview, I had officially heard every single song on the album before its release (today, August 1st, 2012) by way of online teasers and live shows, I think it's safe to say that I have ground to stand on with my review saying that this is definitely my favorite album of 2012.

I really only intended to write a review for "Lemonade", but I got a bit carried away. (Not unusual for me...)

If you like beautiful lyrics and acoustic music, (with the added bonus that he actually sounds just as good live - so you're not getting some butchered, auto-tuned album) you'll want to get this CD!

To buy it on iTunes, visit: http://itunes.apple.com/us/album/lemonade/id549621894

(You can find out more about Kyle and his current West Coast tour at http://www.reverbnation.com/kylecastellani)

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